A microtonal piece in just intonation using a Wilson hexany scale — six pitches built from products of {1,3,5,7}, normalized to one octave: 1/1, 6/5, 5/4, 7/5, 3/2, 7/4. The intervals are pure rational ratios you cannot play on a piano. Three voices over a fundamental drone: a sparse euclidean bell garden striking through all six hexany pitches around C4, an overlapping pad on the root and pure 3:2 fifth around C3 (beating-free where a tempered fifth would beat), and a high resonance voice on the "color" tones — 6/5, 5/4, 7/5 — around C5, sparkling through delay. Once every ~80 seconds, an octave-up sine ping fires off ("stars overhead"). The drone offers stable, pure consonance. The bells walk through intervals that almost sound familiar but always slightly off — the septimal tritone (7/5) and harmonic seventh (7/4) feel haunted to ears trained on 12-TET. Vibe: a quiet temple at dusk where one bell is mistuned and you can't tell which one.