A broken-beat / neo-soul drum jam in Cm9 ↔ Ab^7, 130 BPM, 12/8 feel. All drums run on a 12-step cycle with different Euclidean densities — kick (4,12), snare (2,12,3), hat (7,12), rim (5,12,2) — creating layered polyrhythms where every voice fits the same bar but implies a different meter. The tom runs on an 8-STEP cycle (3,8) — polymeter against everything else, so its relationship to the kick shifts every bar. Bass is the chord root on (5,12,1) with a squelchy acid filter envelope. Chord pad voices Cm9 → Ab^7 every 2 bars, drenched in dotted-eighth delay and slowly opening across a 24-bar filter bloom. The Rhodes lead plays a 2-phrase call-and-response: phrase A on odd bars, phrase B on even bars. Because the scale alternates with the chord (C dorian → Ab major), the same scale-degree pattern sounds different over each chord.